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Making a Point with Pointillism by Chris Jordan
Gyre, 2009 inspired by Hokusai's Great Wave
8x11 feet, in three vertical panels
Depicts 2.4 million pieces of plastic, equal to the estimated number of pounds of plastic pollution that enter the world's oceans every hour. All of the plastic in this image was collected from the Pacific Ocean.
Plastic Bottles, 2007
60x120"
Depicts two million plastic beverage bottles, the number used in the US every five minutes.
Oil Barrels, 2008
60x60"
Depicts 28,000 42-gallon barrels, the amount of oil consumed in the United States every two minutes (equal to the flow of a medium-sized river).
Cans Seurat, 2007
60x92"
Depicts 106,000 aluminum cans, the number used in the US every thirty seconds.
Modern pointillism by the very talented artist Chris Jordan.
Impressive photographic arts that captivate everyone.
Exploring around our country’s shipping ports and industrial yards, where the accumulated detritus of our consumption is exposed to view like eroded layers in the Grand Canyon, I find evidence of a slow-motion apocalypse in progress. I am appalled by these scenes, and yet also drawn into them with awe and fascination. The immense scale of our consumption can appear desolate, macabre, oddly comical and ironic, and even darkly beautiful; for me its consistent feature is a staggering complexity.
The pervasiveness of our consumerism holds a seductive kind of mob mentality. Collectively we are committing a vast and unsustainable act of taking, but we each are anonymous and no one is in charge or accountable for the consequences. I fear that in this process we are doing irreparable harm to our planet and to our individual spirits.
As an American consumer myself, I am in no position to finger wag; but I do know that when we reflect on a difficult question in the absence of an answer, our attention can turn inward, and in that space may exist the possibility of some evolution of thought or action. So my hope is that these photographs can serve as portals to a kind of cultural self-inquiry. It may not be the most comfortable terrain, but I have heard it said that in risking self-awareness, at least we know that we are awake.
Chris Jordan.
Gyre, 2009 inspired by Hokusai's Great Wave
8x11 feet, in three vertical panels
Depicts 2.4 million pieces of plastic, equal to the estimated number of pounds of plastic pollution that enter the world's oceans every hour. All of the plastic in this image was collected from the Pacific Ocean.
Plastic Bottles, 2007
60x120"
Depicts two million plastic beverage bottles, the number used in the US every five minutes.
Oil Barrels, 2008
60x60"
Depicts 28,000 42-gallon barrels, the amount of oil consumed in the United States every two minutes (equal to the flow of a medium-sized river).
Cans Seurat, 2007
60x92"
Depicts 106,000 aluminum cans, the number used in the US every thirty seconds.
Modern pointillism by the very talented artist Chris Jordan.
Impressive photographic arts that captivate everyone.
Exploring around our country’s shipping ports and industrial yards, where the accumulated detritus of our consumption is exposed to view like eroded layers in the Grand Canyon, I find evidence of a slow-motion apocalypse in progress. I am appalled by these scenes, and yet also drawn into them with awe and fascination. The immense scale of our consumption can appear desolate, macabre, oddly comical and ironic, and even darkly beautiful; for me its consistent feature is a staggering complexity.
The pervasiveness of our consumerism holds a seductive kind of mob mentality. Collectively we are committing a vast and unsustainable act of taking, but we each are anonymous and no one is in charge or accountable for the consequences. I fear that in this process we are doing irreparable harm to our planet and to our individual spirits.
As an American consumer myself, I am in no position to finger wag; but I do know that when we reflect on a difficult question in the absence of an answer, our attention can turn inward, and in that space may exist the possibility of some evolution of thought or action. So my hope is that these photographs can serve as portals to a kind of cultural self-inquiry. It may not be the most comfortable terrain, but I have heard it said that in risking self-awareness, at least we know that we are awake.
Chris Jordan.
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Dena Tollefson
http://www.denatollefson.com
http://www.denatollefson.blogspot.com